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Seals, a brief introduction

One of the most crucial yet negligible aspect of the artistic creation is adding seals. Seals are these stamps that appear in various places on the surface of an artwork that provide additional information of the author: the name, the personal value, the motivation, the goal, the desire, etc. Such information could also extend to the name of the artist’s study or atelier, or even an image of an animal or of buddha. These seals are usually carved on beautiful stones, but at times the seal material can also be wood or metal. Today let us learn about these beautiful seals.

Examples of Seals

China is known for its techniques of carving images and texts in stones since a very long time ago. Seal specifically was believed to have stepped onto the historical stage in the Shang Dynasty (1600BC-1064BC), an ancient period that had recordings in terms of words. However, we could decide that by the Spring-Autumn period (770BC-476BC) at the very latest the seals have already become popular. The rulers use seals to mark the authority of their ruling status, the governmental officials after leaving their post (for whatever reason, including death) also needed to hand in their seals. Seals that appear on the objects, such as pots or coins, prove the authenticity of said object, giving it a certain level of recognition and trustworthiness. Therefore the names or markings of certain craftsmen usually weight a great deal. So in this sense, the seals not only bear the authority and status, they have also long been used as a watermark on pieces of artworks.

Official Seal, photo from the internet

Generally speaking, we can classify the seals by their use: official or private seal. The official seals include the seals that represent the national authority are usually larger, they are square, they by the look already demonstrate the level of authority and social status, and these seals often come with a knot on top (called the “nose” knot), such as in the photo above. The private seals are composed of the name seals and leisure ones. The names ones are easy to understand, after signing your artworks, seal it, make it more official and complete; the leisure ones are to add more fun to the artworks, providing balance and color, in a way decorating the artworks.

Various Private Seals, photo from the internet

Many artists carve their own seals, but seal making is a craftsmanship that is not to be taken lightly. The handmade cuts made by a knife differ quite a lot from the lines created by machines, and good handmade cuts require angles and depth, even the uneven edges tell a story. There are many styles of seal to choose from, the ancient philosophy of Yin-Yang is expressed perfectly within these few centimeters.

Seal Carving, photo from the internet

Remember the blog on ink stones? The selection of the stones suitable for making ink stone is very strict, it is similar but less rigid for seal carving – not all stones are great. The most expensive seal stone materials (a small block of rock, perhaps with some carvings on top) could worth thousands. The writings on a leisure seal could be something motivating, something that represents your personal values, or some poem that you love dearly. Therefore seals make great gifts too, because your blessing can all be expressed on the surface of a beautiful eternal stone!

In the next post we will talk about how to use seals on an artwork, so stay tuned!

Enjoy such cultural discussions? Have comments? I look forward to hearing from you!


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Fan Art

If we write about every single aspect of the oriental culture, one chapter has to be dedicated to fans. Fans were invented some 3,000 years ago, as an integral part of the oriental culture, they were originally used as a decoration, but as it further developed its functions expanded – a fan was often used as a companion to the social elite, and a fan received all kinds of artistic decorations since then.

Fan Painting, Rice Paper Fan, Fiona Sheng

In the older days people used feather to make fans, which is why the character of fan “扇” has this part “羽” (feather) inside, carrying the meaning of feather until today. People believed that the wind generated by a fan is soft and therefore not harmful to the body. Even until today quite a few people still prefer a fan to cool themselves down instead of air-conditioning. The handle of a fan often utilised bamboo or wood, and at times bones. Reed leaves can be used to weave fans too, in fact they were well received from the emperors to the civilians.

Feather fan, photo from the internet

In the East Han Dynasty (25-220) the fan making developed, and silk started to appear as the main fabric of a fan. These fans have circular shape, their names also reflect this feature: moon-shape fans. These rather round fans provided a perfect surface for artistic creation, the fan art as a tradition lasted until today. The very first fan art appeared in the Three Kingdom (220-280) period, the story told of an elderly lady went seeking for calligraphy writing from a great artist named Wang Xi Zhi, who accepted to write over the fan presented to him. This fan then changed hands and was worth many times more than its original cost. The location where the writing took place still carries the name related to this event! The silk fans were mostly used in the palaces however, therefore they were also referred to as the “palace fans”.

Song Dynasty, art over a circular fan

The Song Dynasty nurtured the most glorious oriental art, where various shaped fans received individual names, and exclusive fan shops and fan merchants started to appear. It was also in this period of time that the foldable fans were invented. This paved the foundation of the later periods, in the Ming and Qing Dynasties fans became representatives of class and taste. A fan with inking from famous artists already became collector’s items, and their market prices could reach millions.

Fan Art, Zhang Da Qian

But, how does a fan act an integral part of the oriental culture? Firstly, with thousands of years of development, fans contain in themselves much history, these historical stories also paved the foundation of the nation; Secondly, on the surface of the fans we could “see” history, the paintings, the poetry, each tell us something special that happened, the fan became a concentrated form of time; In addition, fans were also used on stage by actors to demonstrate a person’s characteristic, and fan operas have always remained popular; Last but not least, fans since Tang Dynasty have been used as a key cultural item for international diplomacy. The Tang emperors sent out fans to initiate and reenforce international friendship, and the neighbouring countries often warmly welcomed these precious gifts. Even in our modern society during the Dragon Boat Festival, some regions in China continued with the tradition of offering a fan to the loved ones.

So, if you need have troubles deciding what to give as an elegant home-made gift, keep a nicely painted fan in mind!

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Maintenance of the “Four Treasures” (2)

Besides the brush and ink, Xuan rice paper and ink stone are both essential components of the Four Treasures of the Scholar’s Chamber. Continuing from our discussion last time, let us focus on the other two treasures.

Xuan Rice Paper Making

Xuan Rice Paper

Xuan Rice Paper

The Xuan rice paper gained its name from the region of its original birth place, and the making of it is a very beautiful yet complicated process. If you are interested, here is our blog about it. These papers have a name “longevity paper”, highlighting the property of a well made paper, however, as delicate papers, their maintenance should also be a point of concern, so that your productions will have guaranteed success.

  • Because the paper making relies on tree barks and other natural ingredients, the number one concern in its maintenance is to avoid humidity. These ingredients have the natural tendency of absorbing moisture from the air, and sometimes mildew spots would appear. So in keeping rice papers, try wrapping them with moisture-proof wrapping papers and store them on relatively higher shelves;
  • These papers can be damaged by bugs, so leave a mothball or two near the papers just in case;
  • Do not touch your papers when unnecessary. Our hands have oil and other potentially harmful substances for the paper, so it is best to touch the papers less.

Attention: Keep the papers rolled up when storing, do not fold them. Folding the papers will not harm the papers, but it will interfere with our art creation.

The rice paper is not super high-maintenance, but it does require the very basics!

Ink Stone

Ink Stone

Compared with the paper, the ink stone requires much more attention. Read the making of the ink stone here. The ink stones are made from special stones, so it is common to take extra precaution maintaining them.

  • Do not use liquid ink on ink stones, use it only for grinding the ink;
  • Keep the ink stone clean, but wash only with clean water. There is an old saying: one would rather not wash face everyday but risk not cleaning the ink stone daily. The truth is not that scary, cleaning it every 2-3 uses will be alright!
  • Use soft cleaning cloth or sponge to wash and dry the ink stone, make sure there is no lint from such cleaning materials;
  • Avoid direct sunshine;
  • Cover the ink stones with a lid when not using;
  • Best to have separate ink stones for the pine and oil based ink sticks;
  • Use high quality ink sticks, bad ones could scratch the ink stone;
  • The ink stone loves to be touched, the more it has been in contact with people, the brighter it shines.

Attention: New ink stones come waxed, so before the first use please remove the wax layer. There are several ways to remove the wax, but a classic way is to use very fine sandpaper (#1000) all over the ink stone. When an ink stone is not going to be used for a while, it should be stored fully waxed. Some people keep the ink stone in water, perhaps with a few fish, to maintain its silky smooth fine texture, and to add a small scenery at home.

Our climate could play a key role in the performance of our art supplies too, so please do refine the suggestions from our blogs according to your very special conditions. Old papers, ink sticks, and ancient ink stones are collector’s items, so your well maintained art supplies could absolutely rise in value! All the more reasons to treat them well!

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Maintenance of the “Four Treasures” (1)

The painting brush, ink, Xuan rice paper and ink stone together are called the Four Treasures of the Scholar’s Chamber. These are clearly the most essential tools that facilitate our artistic creation since ancient time, and their maintenance has to be discussed. These art supplies can be quite expensive, however, they could accompany us for many years to come if kept right. So today, let us focus on how to keep each nicely!

The Four Treasures of the Study

Brush

A Weasel Hair Brush

A brush has to undergo many complicated processes in order to be made. A nice brush requires carefully selection of the hair and other related materials, and the skills of a competent craftsman. You can read more about the making of a brush (1) and (2). It is very normal to loose a few hairs when you use a new brush, as a handmade brush cannot have all the hair bound to its root, but if your brush looses many hair all the time, then either this was a bad brush or you have not used or kept it right. The maintenance of a brush is much easier in comparison to its making, but it requires habit formation.

Once a brush is open and used (if you need help please check the video below), the most important thing to remember is to clean and dry it correctly.

  • Clear water is the only thing necessary to clean a brush, and you can always make circular movements in the water container or hold it under running water to rinse off the residual ink. Do not use any chemical (soap or other cleaning products) on the brush. Remember the brush is made from animal hair, it is similar to our hair, but the difference is that our hair can grow new ones, while the brush hairs cannot regenerate, and the amount of fat on each hair is essential to its function;
  • Pay attention to the brush root when cleaning, you may never clean the roots totally without forcing it into the sink (please do not do so), but sufficient rinsing will do;
  • After rinsing the brush rather clean (there is almost no color or ink that comes off the brush anymore), you can gently squeeze the brush hair to remove the extra water or use paper (I prefer kitchen paper that does not shed lint) to absorb the excess dripping water, return the tip of the brush to its central state before hanging it vertically to dry. If you do not have a hanger, placing it flat on the desk is also fine. The key is to make sure the brush dries thoroughly after each use before storing it away in a brush wrap
  • Never dry your brush with its hair pointing upwards in a pen holder, this is the worst that can happen to a brush

Attention: If the brush dried with its tip not in the center, it will be rather difficult to use the next time. Simply soaking it in water will not help, only after hours of use perhaps the tip will return to its original state. If the brushes do not have the opportunity to dry consistently, there is a high chance of the root rotting, the result will be many hair falling out all the time, and your brush will loose all its strength – this is an irreversible state.

Do not be worried about your brush though, once you have the habit of rinsing the brush and drying it well, your brush can accompany you for many many years. The weasel hair brushes will loose its sharpness first after some time of use, but then you can always use it for a different purpose or paint other things that require such tips, so it will live on.

Prepare and hold a brush

Ink

Ink Stick

The ink is much easier to maintain. We have another post talking about the making of the ink, if you would like to find out more about them, you can read it here.

Liquid Ink

When it comes to the liquid ink, the only thing you need to remember is to keep the cap closed when you are finished using it. This helps the ink stay fresh, it also limits the chance of “accidents” in your study – if you use ink to paint or do calligraphy, you will discover sooner or later that a tall water container shall never be used, and ink bottles need to stay a certain distance away from your papers or clothes – not all accidents are happy ones.

Ink sticks are also rather easy to store, keep them away from direct exposure to the sun and you are going to be alright. When using, remember to remove it after grinding over the ink stone, otherwise the ink stick and the ink stone both will suffer. Never soak your ink sticks in water either, it is just a very painful waste of money and craftsmanship.

Attention: Another ink using hygiene is try to use only fresh ink, whether it is ground ink or liquid ink from the bottle. Old ink may not always smell bad (it can be though), but old ink is usually not ideal to use for the art creation. In the mounting of an art piece, old ink have a higher tendency of “escaping” from its original place and leak out. This will create unwanted trouble for you, or it can ruin your entire artwork that you have spent hours or days working on. Another issue that arise from old ink is that once the ink dries up, there are chunks of solidified ink that can even hurt your brushes. I am against waste in fact, so my solution is to use old ink with old brushes, for practice or something, if necessary. However, the better solution I believe is to always grind a smaller amount of ink at a time, the same goes for pouring ink from a bottle. Nowadays the bottles are quite well made, and you can always rely on it to add only a few drops of ink at a time.

In the next post we will continue our discussion – hope that you pay attention to your beloved art supplies, so that they can help you create nice artworks one after another!

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Ink stones

Ink sticks have a wonderful companion, the ink stone. If you considered the manufacturing of the ink sticks a complex process, wait until you find out about the ink stones. So what is so special about these stones?

The platform on which the ink is ground makes a big difference in retrieving the ink. For instance, taking glass as the ink stone, the smooth surface does not grab the ink from the sticks, so you will spend a lot of time grinding but receiving very little result; If you take a rougher surface for the grinding, the ink will come off, sometimes in chunks perhaps, and the result is very rough grains of ink to use. And the rough surfaces such as clay will also absorb the newly ground ink, because not all structures are suitable for retaining the liquid, so your hard work will disappear rather quickly. Therefore, the wise people from over 1500 years ago found a perfect solution: the ink stones.

A beautiful Ink Stone, photo from the internet

A good ink stone has the ability to “grab” the ink quickly and finely, and these make up the two most important criteria when judging ink stones. However, there is usually a balance between the two, often a certain stone from a certain region is only strong at one of the two criteria. Because these two criteria are a bit contradicting, the fast ones will ignore the quality, and vice versa. The four most famous ink stones in China are known for their rather outstanding yet balanced qualities, and these ink stones therefore have been recognised and highly regarded since thousands of years ago. These four kinds of ink stone come from four very different places in China, where two came from the North(west), one from the middle, and one from the Southeast. Amongst these, the Duan ink stone (Duan Yan, 端砚) from Guangdong province stands out, recognised as the leader of the four. The name came from the ancient name of the region.

The mountains that contain ink stones are special. Take the Duan Yan for example, the geographic formation of these mountains in the Southeast China is sedimentary that was formed some 400 million years ago during the Devonian period. During this time the Tibetan plateau had not been formed, and the Southwest China was mainly ocean. Therefore the Duan region had a great number of diversified deposits, including many kinds of minerals and metal that also gives the ink stone from this region many colorful looks and patterns. The most commonly shown color is a maroon shade, and sometimes there are green ones. The metal ore shows itself from time to time, giving the ink stones metallic sparkles. There are names dedicated to each and every feature from the ancient formation, and the existence of these features largely determine the price of such ink stones. Below are some of the rare features for your reference:

Because of all the beautiful patterns and fine craftsmanship, the ink stone is often a collector’s item, and a nice piece of ink stone could worth millions, let alone the historical ones. The various ore pits where the stones come from make a difference in the quality of the ink stones, and some of the best stones came from ancient pits dating back hundreds or thousands of years. Some of these pits are still being used today, including a Song Dynasty one (the ink stones in our shop come from here).

A good ink stone starts with careful mining, and most of these require tedious and dangerous physical labor and a pair of trained eyes. A skilled miner knows the growth pattern of stones, and he could almost predict the quality and style of a stone from a certain place. An ordinary looking stone to us could contain all the above stated features hidden inside. Craftsmen would often buy an ordinary looking stone based on experience and knowledge and gamble the value inside these ores. Once some great features are revealed, the value of the stone drastically increases.

The beautiful decorations on an ink stone traditionally require careful thinking and lots of creativity. The design often depends on the color and feature of the original stone, and a good craftsman would always draw more focus to such features. Nowadays the carving can also be done using machines, but the pressure and markings made by a machine is nothing compared to the hand works. A good piece of ink stone is usually boxed, either wood or cloth boxes, in order to preserve it from all the dust around. It is also well taken care of, the stone players call this process “raise” the stone, and of course, a good ink stone is used together with the best ink sticks. Brushes are preserved when used on such stones – a good ink stone is very mild and soft to the touch, like the skin of a baby. A good ink stone is also moist, it is a solid form of an ancient Spring. An ink stone is never a tool, it is an art craft.

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Ink sticks, somethings you should know

Ink came into our lives after the creation of brushes, and in the early days people used natural ink to make markings, but around the Spring Autumn period (770BC-476BC) man-made ink was already in use according to historical findings. In the following periods of time, a great number of remarkable craftsmen arrived on the historical stage and identified their best practices of ink making, some of which is still in record. Ink (墨) generally referred to the black color (黑), which is very clear in the character build, but later it developed into other colors too. Among the various manufactures, An Hui Ink was especially famous.

In the An Hui province, traditionally merchants and trades stood out, the Hui merchants earned their name of being credible and trustworthy. Among their traded items, the high quality ink and paper especially were widely loved, and this location has been the royal appointed one in such supply ever since. This province, An Hui is filled with natural wonders, magnificent mountains, located at the heart of the rich Yangzi river delta, it is full of natural resources and was the birth place of a great number of scholars and artists. The Yellow Mountain resides in this place, and some of the famous Hui Ink was created from these mountains.

The Yellow Mountain 黄山, photo from the internet

The ink sticks rely mainly on the smoke particles collected from the pine or oil burning, which is mixed with over a thousand herbs, including pearl powder, musk, borneol and many others for the scent. The proportion of these ingredients and the methods are strict trade secrets, but we do know that the making of a single ink stick takes over 1 year, and requires great strength and repeated pounding. Let us start from the beginning, the collection of the pine (sometimes oily) smoke particles.

There are generally two categories of ink sticks, the pine or oil based. They are both dark ink, but the pine kind allows for the creation of more layers, the transparency and the transition is displayed well. The pine from the Yellow Mountain has especially high quality, and the ancient pine smoke ink stick that used the trunks of the pine trees produced particularly wonderful ink. However, now the pine use is limited to the branches, no more trees are harmed anymore, which also reduced the quality subsequently. The oil kind (oil smoke from Jatropha curcas tree, rapeseed, flax seed and so on) gives a powerful shine, almost metallic (purple, black are the best), something unique to this type. The two kinds are preferred for different purposes, neither is superior. For paintings most people prefer pine based ink, the oil ones are mainly used in the coloring stage or calligraphy.

The traditional ink making is a tiring task, wielding the hammer does not make one feel like Thor, but worthy nonetheless. The sticky ink chunks are pounded (over 200 times) into pie shapes, ready for further processing. At this stage they are similar to a good dough, flexible and elastic. From these pies smaller chunks are taken and weighed before being made into a certain shape. The modes are made from very dense wood, but a mode can only be used for around 100 ink sticks only before it needs to be replaced. The last process involves drying, which could last between 4 and 6 months or even longer during the rainy seasons.

Ink sticks have to be ground over ink stones. This is a rather mindful and relaxing process, but only good ink sticks combined with decent ink stones can produce decent ink. A good ink stick or ink stone is a collector’s item, and there are some really luxurious selections on the market. However, the opposite is equally true, the cheap types are as good as concrete, the cheap ink sticks could scratch the ink stones, and the cheap ink stones would waste the ink and your time. In the next post let us take a closer look at the ink stones!

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Xuan Rice Paper

The traditional oriental artistic creations depend heavily on the use of rice paper. This special paper works wonders combined with ink, and the unique brush strokes and the elegant colors would float on its surface but sink into our hearts. The Xuan rice paper took on the name “Xuan” from its birth place, a town called Xuan (宣城), which is located in the An Hui province, Jing Xian (泾县) is its current name, and records show that its history dates back to the Tang Dynasty (618-907). Paper produced here are soft to the touch, mild as jade, and complements the brush strokes while letting the ink shine. The papers are also known to have amazing characteristics, they repel bugs, and they could endure thousands of years of extremely long life. This legendary place is located at the heart of China, in the perfect geographic climate that produces everything essential to the oriental art creation, which is why since ancient time it has been the very key export place of paper, brush and other related ink art supplies to not only the civilian world but also the emperors. The name of Xuan rice paper however, was not determined until Ming or Qing Dynasties, which is the rice paper we know today.

Calligraphy – Cursive Script, Fiona Sheng

The Jing town is a very historical and beautiful place, but more importantly, it is home to one of the key ingredients in the rice paper production, known as the Pteroceltis tatarinowii (Qing Tan). The fibers extracted from this wild species of tree is used in the production of the rice paper that gives its strength and elasticity. There are roughly 19 provinces in China that has this tree species, but this tree grows best in Jing town. Japan attempted to introduce this species of tree to its local environment but with no positive result – the trees would not flourish at all! This is why the Japanese paper making was forced to use other ingredients – the love and hate story between the two countries around this matter is profoundly emotional, so let us leave it aside for now.

Jing Xian, photo from the internet

The most ancient papers were made from other fibers too, for example the mulberry trees are often one of the important supporting ingredients. But according to the percentage of this Qing Tan, we can categorise the papers in the following ways:

  • Cotton type: max. 30%-40% Qing Tan, the rest mainly is straw
  • Jing pi type: 60% Qing Tan
  • Extra Jing pi type: over 80% Qing Tan

Generally speaking the higher the Qing Tan content, the better the paper. But for each of the above mentioned category, we can also classify the paper according to the treatment, the ripe, half-ripe/raw, raw papers. Each is used for a different purpose, mainly the ripe is used for the Gongbi painting style, while the raw / half styles are used for freehand paintings and calligraphy.

Paper making, photo from the internet
Paper making, photo from the internet
Paper making, photo from the internet

The papers, mostly the half-ripe/raw papers, are made into various colors and styles using various traditional techniques, sometimes with golden sparkles, thiner or thicker, sometimes with patterns or dried plants on the surface, greatly increasing the choices from the rice paper for the artistic creations. Generally speaking, the ripe papers allow the ink or color to stay on the paper surface, it will not absorb it; the more raw it gets, the more absorbent it becomes. However, we cannot say that the less absorbent a paper, the better it is or vice versa! The paper properties have to complement the actual need of the art creation. But what else determines the quality of rice paper, other than Qing Tan?

  • A good paper will have a few visible qualities, such as the lines on its surface, they are clear. These lines were created by the bamboo sheets during the making of the paper, the paper over 140 processes to make, and the natural tools will leave their marks.
  • A good paper is also soft to the touch, the highest quality papers will never have holes/bumps/sand residue on the surface, they will be even all over, but it is very common to have a little “unevenness” in our daily papers, as the quality we use normally would tolerate such imperfections.
  • The paper can never have very smooth surfaces, which does not create any friction with the brush nor will it retain ink. The paper needs to provide you with a “counter” effect in the use, allowing you to create strokes with strength.
  • The production location may have an indication of the quality, but do not take this as the only criterion.
  • Generally hand-made rice papers are better, but again, this is not to be held as the only criterion anymore.
Ripe rice paper with pearly sparkles

A good paper is crucial to our art, so spending some time to make good selections is absolutely necessary! In our store you will start to find more and more of these beautiful and carefully selected papers from Jing town, they are my choices, feel free to give them a try! Happy painting!

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Art mounting

Mounting a finished piece of art is another form of art in itself, and it has grand tradition that lasted centuries. An art piece once completed, it requires mounting to display or be shown around; ancient artworks that are fragile even to our breathing could be revived by some very skilled re-mounting. Therefore the mounting is an integral aspect of the art making process, and the history is just as grand as the arts themselves. A master mounter is well respected and his skill would be a rare commodity. Nowadays hand-mounting is harder to find, shops would employ machines that can mount an entire scroll within half an hour, but the high quality, delicate craftsmanship can only be found in the hand-mounting places. Today let us take a quick dive into this mounting world.

Owl, painted on pre-mounted rice paper, Fiona Sheng

The traditional mounting process is a delicate operation that requires precision during the execution. The selection of silk (绢), the mounting paper, the thin connection papers, the wooden parts, the ribbon, etc., all needs great care, to guarantee either integrity or other functionalities, such as bug-repelling; the making of the glue is also extremely complex; the exact size and color choices for an art piece in the mounting also counts a great deal for the finalized artwork! The master mounters are remaking an artwork in short, they are not just nursing these works. Below is an example of a completed scroll, in blue there are the corresponding Chinese names of each part, but from this simple image you can already get a general sense of how complicated this process is!

A fully-mounted scroll with Chinese names of each part, image from Baidu.com

This scroll above however is not the only end result of a mounting process. A simple sheet of paper surrounded by stripes of silk that resembles those pre-mounted papers are normal (square or rectangular shaped in most general sense), and these are meant to be framed; A very long and thin scroll can result in the “hand roll” (sounds like a sushi term somehow), as shown below. Another style of mounting could end up in the shape of a book, only that they have this accordion looking pages that open horizontally.

Hand Roll (手卷)
Scroll - Landscape
A section of my own landscape scroll (11.7m long in total)
Book-shaped mounting (册页)

Personally I was almost “forced” into mounting my own works, even though I cannot make the complete scrolls, I can however enhance the artworks with one simple layer of mounting. Now there are also pre-mounted rice papers available, as well as pre-made blank scroll to use to facilitate the art creation, however, I found it necessary to know the first steps of the mounting because it helps with the maintenance of the artworks anyway, so why not know about it?

Brown coconut brush for mounting

So, I made a video to show you how the easy style mounting is completed at home. With these you can frame your artworks with much more ease! Do remember to subscribe to our newsletter to receive the most exclusive deals from us and to leave a thumbs up for the video!

Learn to DIY art mounting with me!

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Cricket culture

In the ancient oriental culture there have been many animals that became the pets of the era, including handsome horses, all mighty eagles, long-living turtles, not to mention fluffy cats and dogs. Today, however, I would like to introduce you to a more unique “pet”, the crickets.

Crickets

By Qi Bai Shi

This painting was from the great Qi Bai Shi, one of the most important contemporary Chinese painting masters. He was especially known for the detailed illustration of the insects, which are usually among the very generalised backgrounds.

Over 2500 years ago there were already articles dedicated to crickets, and the character “秋” (autumn) was said to have to do with them – the left side of this character has the word “crop” (禾) and the right side was believed to be the drawing of a cricket. This insect lives in the autumn season, which is an indication of the meaning of this character. However, another understanding of this character says that the right side means “fire” (火, which is still in use today), and it was the action of burning the field after the harvests that brought the meaning of autumn to this character. Both interpretations have merits, and perhaps both played a key role at some point in history.

The crickets are known to be interesting pets that can put on a “show” – people love spending the time searching for the most capable crickets so that they could win the cricket fights. The best cricket should hold its head up high, have straight and tough antenna, good teeth, and strong legs. There is strict classification in its caloring too, where the yellow ones trump the red ones, which trump the black ones, which trump the white ones. The most famous crickets usually are large in size, glossy in color, and often they come from one region, Shandong province. Even though these insects only have about 3 months of life, the price of a single cricket could match that of a cow!

macro photography of cricket on leaf
Cricket

The cricket fight is in fact a gambling activity, in the Tang, Song Dynasty until the Ming and Qing Dynasties this activity maintained its popularity. The crickets fight in a clay pot dedicated to them, and the owners would anxiously watch this fight around the table. The cricket fight can be a rather cruel game, where one bug could badly hurt the other one, even though the actual killings are rare. In the later imperial time, some emperors became too indulged in the cricket fights and would employ national resources or even levy additional duties on civilians in order to receive the best possible crickets, making the people’s lives impossible, so stories about rebelling against such actions started to take off in the society.

Ji Gong (1130 – maybe 1209), illustration from internet

When speaking about such stories we have to mention a famous and rather spectacular monk, Ji Gong. This monk is known as the “living buddha”, he resides around the region of Hangzhou, and is often seen wearing raggedy clothes, waving a large fan, appearing to be talking crazy besides not abiding by the monk rules: he drinks alcohol and eats meat all the time! But he would always use his powers to help those in need, cure people with his knowledge of traditional medicine, and save them from the suppression of the authorities or the rich.

There is a famous story about him saving a poor carpenter’s life, where the cricket fight was involved. In the house of Luo, the carpenter who came from poor families took a peek of the precious cricket of the rich owner, accidentally set it free, and Luo (rich, greedy and rude) ordered to beat him and threatened his family. When he was about to commit suicide Ji Gong appeared and offered to help out. Ji Gong bought an almost dying tiny cricket and gave it power. Using this cricket, Ji Gong was able to negotiate peace, settle the debt between Luo and the carpenter and more!

This famous story was made into an animated movie in the late 50’s from paper cutting methods, the characters have a leather-silhouette shadow show style, which was then complemented by traditional opera music, a true classic. I have added a video below to this movie, which is a bit less than 30 minutes long, and if it is the traditional Chinese culture that you enjoy, you may enjoy this one too! (You should be able to understand the meaning now without knowing the language)

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Ancient hunters (2)

Besides the falcons and the dogs, the ancient hunting world has a few other rather peculiar “assistants” – the lynx and cheetah are both trained hunting companions that the hunting world adored. Today let us focus on these rather special hunters.

Lynx – Oriental Ink Brush Painting

Rice Paper, 33cm x 33cm

By Fiona Sheng

@InkDifferent Studio | Brussels

The lynx is a large cat that is especially great at capturing rabbits. These animals look different enough from cats though, with rather sturdy body and long legs and very short tails. This shape grated them the ability to run through rough terrain, and in addition their thick coats allow them to sustain cold climates. The lynx has received a nickname: flying over the grass – you may get an idea of how efficient they must be in the hunting!

Such a natural hunter obviously would gain the hearts of the ruling parties of a hunting culture, such as the Tang Dynasty. The lynxes are trained to accompany the hunting units, as shown in the painting below, the lynx rides on the horse back together with their trainers on a thick round rug, ready to strike! Funnily the pointy hair on their ears mislead some people to believing that they were in fact owls. During the hunting, they are especially helpful in capturing animals hiding in between rocks or in the bushes.

Tomb Mural, Tang Dynasty
Tri-Colored Glazed Pottery, Tang Dynasty

The cheetahs are also amazing hunters in the oriental hunting scenes, especially in the Tang Dynasty. Their images are seen on many tomb murals or from unearthed discoveries. The tri-colored glazed pottery (唐三彩) below clearly shows a cheetah riding with a trainer on the horse back. According to historical records, such trainers came from many nationalities, as demonstrated in some of the murals (their facial features do not resemble that of the typical Han Chinese), and over a dozen countries offered these beautiful cats to the emperors of the Tang Dynasty. It is worth mentioning that these cheetahs are normally smaller than those from Africa, but their speed is still impressive. These beautiful cats can catch rabbits and gazelles, but the trainers have to go through quite some trouble teaching them to first sit still on a horse, pounce only when asked, and let go of the prey after a successful chase.

Tri-Colored Glazed Pottery of Tang Dynasty

Between lynx and cheetah, which do you think received more affection from people? The answer is, lynx. The lynx is smaller and easier to raise, making it the better companion; It is also capable of capturing wild geese and cranes, an ability quite unique to it.

These animals have been wonderful in the hunting over 1500 years ago, the dogs, the falcons, and these large cats. They have truly added diversity to the lives of the ancient societies, giving the people from our modern societies so much to rediscover.

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